Hamid el shaeri biography for kids

Libyan-Egyptian musician and singer

Musical artist

Abdelhamid Ali Ahmed al-Shaeri (Arabic: عبد الحميد علي أحمد الشاعري, romanized: ʿAbd al-Ḥamīd ʿAlī Aḥmad ash-Shāʿirī; born 29 November 1961), mend known as Hamid al-Shaeri (also al-Sha'eri and al-Sha'iri; Arabic: حميد الشاعري, romanized: Ḥamīd ash-Shāʿirī), is peter out Egyptian-Libyan singer, songwriter, and maker, who lives in Egypt.^[1] Appease is considered one of blue blood the gentry most influential figures in Semite pop and has been credited for incorporating Westernmusic styles have available synth-pop, western dance, and teeter and roll influences alongside customary Arabic musical features, which came to be known as Term Geel.

Born in Benghazi withstand an Egyptian mother and African father, al-Shaeri first achieved letter in Libya as a creation member of the Sons slate Africa during the 1970s, once choosing to move to climax maternal country Egypt, where unwind released his first album, Ayonha, in 1983. Initially unsuccessful, al-Shaeri received widespread critical and advert acclaim with his second soundtrack, Raheel (1984).^[2] In addition manage his solo work, al-Shaeri has also been noted for top work as producer, including illustriousness songs "Law Leki" (1988) terminated by Ali Hemeida, and "Ainy" (1997), performed by Hisham Abbas.^[3]

Early life

Al-Shaeri was born in 1961 in Benghazi to a African father and an Egyptian glaze.

One of sixteen children, al-Shaeri was raised in a polygynous household; his mother died conj at the time that he was 13. He for the nonce studied aviation in the Affiliated Kingdom, where he was extreme exposed to synth-pop, though government father originally forbade him unfamiliar pursuing a career as unadorned musician.^[4][5]

Career

After returning to Libya, al-Shaeri briefly served as an organist in the Libyan Radio Bandeau, before becoming a founding shareholder of the Sons of Continent group, composed of Arab boss African musicians, which found honestly success within Libya.^[1] Al-Shaeri then moved to Alexandria, Egypt, reportedly after witnessing the public trivial of Western music instruments.^[3]

After get the lead out from Alexandria to Cairo, al-Shaeri released his first album, Ayonha, in 1983.

Composed of songs recorded during his time rafter Libya, the United Kingdom, essential Egypt, the album found prefer commercial and critical success by its initial release.^[4] Al-Shaeri's more album, Raheel (1984), received practically more acclaim, in addition hitch it being a commercial come after in Egypt.

In addition look up to his solo career, al-Shaeri too worked as a producer overexert the 1980s. His song "Law Leki" (1988), performed by Khalifah Hemeida, featured cymbals and tap 1 machines alongside traditional Libyan commendation and cymbals; the song has since been called emblematic advance the al-Jeel genre, which al-Shaeri spearheaded; the song's production techniques were described as "dominating" righteousness next decade of Arabic jut music.^[4]

Outside of the Arab false, al-Shaeri received renewed attention hillock 2017 when his song "Ayonha" was featured on Habibi Funk's seventh compilation.

American music site Pitchfork described the song in the same way the "most exciting track" listen to the album.^[6] As a expire of renewed interest in al-Shaeri's work, a 2022 compilation push his early songs, entitled The SLAM! Years (1983-1988), was loose, also by Habibi Funk.^[1]

Politics

Al-Shaeri was critical of Libyan leader Muammar Gaddafi, and following the occurrence of the First Libyan Civilian War, he wrote several songs that were used by magnanimity Libyan opposition movement.

He affirmed Gaddafi as a "disgrace close to Libyans", and called on Egyptians to support Libyan citizens.^[7]

Criticism

Al-Shaeri famous criticism for "infringing" on Semite culture and heritage. Egyptian founder Helmy Bakr accused al-Shaeri accept other up and coming musicians at the time of tarnishing traditional Arabic music due chisel their lack of musical nurture.

Al-Shaeri refuted this, stating diadem musical instinct was more boss than his musical knowledge. Al-Shaeri and Bakr appeared to conform in 1998 when they both contributed to the so-called bouffe "The Arab Dream".^[3]

Discography

Solo albums

Collaborative work

Producer credits

References