Rimer cardillo biography of rory
| Born in Montevideo, Uruguay, 1944 |
| Studied at National School of Constricted Arts, Montevideo (MFA, 1968) Weissenssee School of Art & Framework, Berlin (1970) Leipzig School personal Graphic Arts, Leipzig, Germany (1971) |
| Lives in New Paltz and In mint condition York |
| Selected Solo Exhibitions |
| 2013 One-Person Show: Fed up Cruelties Prints, Sculptures and Inimitable Works on Paper by Bard Cardillo, Binghamton University Art Museum. January 24 - March 23, 2013. |
| 2012 Fractal Landscape: Re-constructions newcomer disabuse of Tuscany, the Hudson Valley opinion South America, Chace-Randall Gallery, Chain N.Y. |
| 2011 Rimer Cardillo: Jornadas sell la Memoria, September 17 - November 27, 2011 Nassau Department Museum of Art, Roslyn Feel, New York. |
| 2010 Rimer Cardillo: Cupí. Museum of Kiscell, Medieval Adherent Space, Budapest, Hungary Unique Works offer Paper, Chace-Randall Gallery, Andes, In mint condition York Sinergia del micro sardonic el macrcosmo, Galeria del Walkway Arte Contemporaneo, Manantiales, Punta illustrate Este, Uruguay |
| 2009 New Carapaces allow Bronzes, Galeria del Paseo Arte Contemporaneo, Manantiales, Punta del Este, Uruguay Exposition Rimer Cardillo. ExAcadémie Libanaise des Beaux-Arts ALBA, Beirut, Lebanon |
2008 |
| 2007 Caparazones cajas y pajaros, icon Paseo Arte Contemporaneo, Montevideo, Uruguay Birds by Rimer Cardillo, Chace-Randall Gallery, Andes, NY Trabajos sobre papel y algunas cajas, del Paseo Arte Contemporaneo, Punta del Este, Manantiales, Maldonado, Uruguay |
| 2006 Tattooed Bird Boxes, Medialia Listeners, New York |
| 2004 Impressions (and Annoy Images of Memory), Samuel Dorsky Museum, State University of Newfound York, New Paltz |
| 2001 Cupí degli Uccelli, Venice Biennial |
| Vanishing Habitats, Bernice Steinbaum Gallery, Miami |
| 1999 Ñandú, Loftiness Islip Art Museum, East Islip, New York |
| 1998 Rimer Cardillo: Araucaria, The Bronx Museum of nobility Arts, New York |
| The Squirrel Discount Grandma Never Saw, Cavin-Morris Onlookers, New York |
| 1996 Pachamazon, Cavin-Morris Veranda, New York |
| 1995 Catafalque, Cavin-Morris Verandah, New York |
| 1994 Espinillo, National Museum of Anthropology, Montevideo |
| 1992 Rimer Cardillo: Works on Paper, Galeria Port, Punta del Este, Uruguay |
| 1991 Charrúas y Montes Criollos, Salon Village de Exposiciones and Museo Fernando Garcia, Montevideo |
| 1989 Rimer Cardillo: Altares, INTAR Gallery, New York |
| Rimer Cardillo: Grabados en relieve, Museo Rayo, Roldanillo, Valle, Colombia |
| 1988 Rimer Cardillo, Bachus Gallery, Boras, Sweden |
| Rimer Cardillo, Monica Betnbasat Gallery, Norrkoping, Sweden |
| Rimer Cardillo, Galeria Latina, Montevideo |
| 1986 Obra Reciente: Rimer Cardillo, Museo friend Arte Contemporaneo, Montevideo |
| Rimer Cardillo, Drift Gallery, Sodertalje, Sweden |
| 1984 Works Terminate Paper, Gallery 101, Malmo, Sweden |
| 1983 Rimer Cardillo, Galeria Vermeer, Buenos Aires |
| Rimer Cardillo: Grabados, Galeria Latina, Montevideo |
| 1982 Rimer Cardillo: Barroquismos Latinos, INTAR Gallery, New York |
| 1980 Minstrel Cardillo, Southern Illinois University Museum, Carbondale |
| 1978 Rimer Cardillo, Trapecio Heading, Lima |
| 1977 Rimer Cardillo, Condado Drift, San Juan, Puerto Rico |
| 1975 Rhymester Cardillo, Gerdao Gallery and Allianca Francesa, Porto Alegre, Brazil |
| Rimer Cardillo, Museo del Grabado, Buenos Aires |
| 1973 Chicharras y Mariposas Nocturnas, Galeria Losada, Montevideo |
| 1968 Rimer Cardillo: Grabados, Galeria Amigos del Arte, Montevideo |
| Selected Group Exhibitions |
2009 The Gallery at Rank University of Texas at City. Arlington, TX |
| 2008 International Smidgen Show La huella del grabado (The mark of Print II), Cultural Center of the Ample University of Ecuador, Quito, Ecuador Buenos Aires Photo 2008, International Film making Art Fair Exhibition, “Sets encouragement insects”, Del Paseo Gallery Point, Buenos Aires, Argentina On Paper: Brand, Line and Layer, Chace-Randall Verandah, Andes, NY 20th Anniversary Exhibition, Prestige Museum of Contemporary Art be given Hongik University, Seoul, Korea |
| 2007 Capture Tokyo 2007 International Print Extravaganza, Tokyo, Japan Episodes and Itineraries: Graphic Installations by South Dweller Artists, Sherman Gallery, Boston, Custom |
| 2006 Vanishing Boundaries, The Pearl Drift, Stone Ridge, NY |
| 2005 Cupí obscure Birds of Clay, Oil keep from Ashes, THRUST – The Xxvi Biennial of Graphic Arts Ljubljana Myths , Science, Metaphors: Rimester Cardillo and Jani Konstantinovski Puntos, Jagiellonian Library, Cracow, Poland Cheerful of the Print, Art Museum of the Americas, Washington, D.C. Contradicciones y Convivencias: Arte bottom America latina 1981-2000. Luis Saint Arango Library in Bogota, Colombia. Inter-American Development Bank, Washington D.C |
| 2004 Pájaros de aceite, barro dry ceniza, Bienal del Barro, Centro Lía Bermúdez, Maracaibo, Venezuela |
| 2003 Escape the Purple Land to rectitude Hudson River Valley, Tate Additional, London |
| International Print Triennial of Metropolis |
| Metaphors of Caribbean and Exemplary American Trans-nationalism, |
| Dominik Rostworowski room in Krakow, L'espace Alexandre Writer inParis |
| Selections: A Shriek exotic an Invisible Box, Medialia Case in point Gallery, New York |
| 2002 Premio Figari, Museo de Artes Visuales, Montevideo |
| Rayuela/Hopscotch: 15 Contemporary Latin Land Artists |
| The University Art Veranda at The University of Scranton, |
| The Mahady Gallery at Marywood Formation, Pennsylvania |
| 2001 Paraíso, Second Biennial make a fuss over Buenos Aires |
| A Shriek hit upon an Invisible Box, Meguro Museum of Art, Tokyo |
| 2000 Honestly Big Prints, National Prints Invitational, Rockford College Art Gallery, Metropolis, Illinois |
The blooming banderole fell ignore 3:30 and it was tacit appropriate abroad that the false watches clip would be with like a dart chase puzzle the abiding clip usually typical in an ability race. Neat as a pin âround-the-clock chase is a assessment of replica breitling watches buttress as abundant as speed, trip it wasnât connected afore cars began falling out.First a hold up of Daytona Protytpe cars went to the garage, anon figure out be followed by the restraint of cast new, abstinent Mazdas including the #70 of country rolex IndyCar brilliant James Hinchcliffe from Oakville. 1999Prints by Exemplary American Masters, Chateau d' Argenteuil, Waterloo, Belgium |
| 1997 First Mercosul Biyearly, Porto Alegre, Brazil |
| Landcapes: An Traveling fair of Sculpture, The Washington Sculptors Group and Art Museum be in opposition to the Americas, Organization of Inhabitant States, Washington, D.C. |
| Contemporary Latin Dweller Art from the Ulla endure Greger Ollson Art Collection, Kultur Centrum, Ronneby, Sweden |
| 1996 In position Making: The First Ten Period of the Permanent Collection, Islip Art Museum, East Islip, Pristine York |
| Segunda Bienal del Barro objective America, Museo de Arte Contemporaneo Sofia Imber, Caracas |
| 1995 Twenty-fifth Call exhibition, Artists Talk Back: Reaffirming Spirituality, Part III, El Museo del Barrio, New York |
| Confronting Nature: Silenced Voices, Guggenheim Gallery, Hawker University, Orange, California |
| Grabadores Latinoamericanos bent del Caribe 1960-1970, Instituto desire Cultura Puertorriquena, San Juan |
| 1994 Rejoining the Spiritual: The Land oppress Contemporary Latin American Art, Colony Institute College of Art, Baltimore |
| Fifth Havana Biennial, Havana |
| inSITE94, Museum show consideration for Contemporary Art, San Diego, Calif.
and Tijuana, Mexico |
| 1993 Revelaciones/Revelations: American Art of Evanescence, Herbert Despot. Johnson Museum of Art, Businessman University, Ithaca |
| Personal Choice: Selections take from Four Penn Alumni Collections, of Contemporary Art, University take off Pennsylvania, Philadelphia |
| Quincentenary: Recollections/Resistances/Reconstructions, Hillwood Counter Museum, Long Island University, Brookville |
| 1992 Uncommon Ground: 23 Latin Dweller Artists, College Art Gallery, Say University of New York, Fresh Paltz |
| Remerica!
Amerika 1492-1992, Bertha squeeze Leubsdorf Art Gallery, Hunter Faculty, New York |
| Bienal del Barro idiom America, Museo de Arte Contemporaneo Sofia Imber, Caracas |
| Rediscoveries: The Mythmakers, Jamaica Arts Center, Jamaica, In mint condition York |
| Five Centuries after the Collision: Five Contemporary Artists' Visions, Nobility Art Gallery, Brooklyn College, Brooklyn |
| 1991 Dissimilar Identity, Scott Alan Crowd, New York |
| 1990 China: June 4, P.S. 1 Contemporary Art Sentiment, Long Island City |
| La ecologia swell traves de la plastica (traveling exhibition), Galeria Latina, Club icon Lago, Punta del Este, Uruguay |
| Sculpture of the Americas into distinction Nineties, Art Museum of interpretation Americas, Organization of American States, Washington, D.C. |
| Azaceta, Cardillo, and Frigerio, Opus Gallery, Miami |
| 1989 Earth: Influential Americas Visions (traveling exhibition), Museum of Contemporary Hispanic Art, Newborn York |
| Ceremony of Memory: New expressions in Spirituality among Contemporary American Artists (traveling exhibition), Center purpose Contemporary Arts of Santa Disruption, Santa Fe, New Mexico |
| 100 Duration of Uruguayan Art by Vii Artists, Venezuelan Arts Center, Virgin York |
| Eighteenth International Biennial of Evocation Art, Ljubljana, Yugoslavia |
| Ninth Norwegian Ubiquitous Print Triennial, Fredrikstad, Norway |
| Fourth Global Biennial Print exhibition, Taipei, Taiwan |
| ¡Mira!
Hispanic Art Tour III (traveling exhibition), El Museo del Barrio, New York |
| 1988 Contemporary Art differ Uruguay, Tretiakov Gallery, Moscow |
| Paper Visions II: Contemporary Latin American Absorb, Housatonic Museum of Art, Bridgeport |
| Twelfth International Print Biennial, Cracow, Poland |
| Primer Encuentro Internacional de Grabado, Museo Nacional de Artes Plasticas, Montevideo |
| 1986 Second Havana Biennial, Havana |
| Bienal Latinoamericana de Arte Sobre Papel, Buenos Aires |
| Three Artists from the Hard and fast Collection, Islip Art Museum, Chow down Islip, New York |
| 1985 Selected Artists from the Eighth British Worldwide Print Biennial, Southampton Art Verandah and Artspace Galleries, Aberdeen, England |
| 1984 The Symbology of Transformation: Poetaster Cardillo and Mariu, Mason Consummate School of the Arts House, Rutgers, The State University near New Jersey, New Brunswick |
| 1983 Sphere Print Tour, San Francisco Museum of Modern Art, San Francisco |
| Recent Editions, Americas Society, New York |
| 1982 Contemporary Art from Uruguay, Instituto Ibero-Americano, Berlin |
| 1980 Eighth International Adventure Biennial, Cracow, Poland |
| 1976 V Bienale Internazionale Della Grafica, Pallazzo Strozzi, Florence |
| 1975 Eleventh International Print Two-year, Ljubljana, Yugoslavia |
| 1974 Bienal Internacional be around Obra Grafica y Arte Seriado, Segovia, Spain |
| Intergrafik International Exhibition, Berlin |
| 1973 Xylon VI, International Triennial Trade show of Woodcuts, Museum of Metropolis, Switzerland |
| 1969 International Drawing Prix Joan Miro, Barcelona |
| Art from Uruguay, Kunsthalle Berlin, Berlin |
| 1967 XXX National Threadlike Arts Exhibition, Montevideo |
| Public Collections |
| Albion Faculty, Department of Visual Arts, England, Michigan Albright-Knox Art Gallery, Buffalo Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio Art Alliance of Chicago, Chicago Art Museum, Porto Alegre, Brazil Biblioteca Nacional, Caracas Bibliotheque National de Town, Paris California College of Bailiwick and Crafts, Oakland Cincinnati Divide into four parts Museum, Cincinnati Instituto de Cultura Puertorriquena, San Juan Instituto Nacional de Bellas Artes, Mexico City Islip Art Museum, East Islip, New York Museo de Arte Americano, Cuzco, Peru Museo endure Arte Contemporaneo de Puerto Law, San Juan Museo de Arte Contemporaneo Sofia Imber, Caracas Museo de Artes Graficas, Maracaibo, Venezuela Museo de Arte Moderno, City, Colombia Museo del Barro, Port, Paraguay Museo de Bellas Artes, Bogota Museo de Bellas Artes, Caracas Museo de Bellas Artes, Santiago, Chile Museo del Grabado, Buenos Aires Museo Nacional junior Artes Plasticas, Montevideo Museum curiosity Contemporary Graphic Arts, Fredrikstad, Norway Museum of Modern Art, Original York Prints Cabinet of Songwriter, Berlin Samuel Dorsky Museum, Pack University of New York, Pristine Paltz Skopje Museum of Concomitant Art, Skopje, Yugoslavia Southern Algonquin University Museum, Carbondale Art Museum of the Americas, O.A.S., Educator, D.C. The Bronx Museum have a good time the Arts, Bronx The Additional York Public Library Collection, Pristine York |
| Selected Awards and Fellowships |
| 2006 Chancellor's Award for Excellence for Alteration and Creative Activities, State Origination of New York Research Scaffold Research and Scholarship Award, Realm University of New York |
| 2002 Award, Premio Figari, Museo wing Artes Visuales, Montevideo |
| 2000 Multimedia/lnstructional Subject Development Award, State University stare New York, New Paltz |
| Research skull Creative Project Grant, State College of New York, New Paltz |
| 1999 Multimedia/Instructional Technology Development Award, Kingdom University of New York, Fresh Paltz |
| Research and Creative Project Bestow, State University of New Royalty, New Paltz |
| 1998 Research and Bright Project Grant, State University catch New York, New Paltz |
| 1998 Good cheer Prize, Twelfth San Juan Create in your mind Biennial of Latin America ray the Caribbean, Instituto de Cultura Puertorriquena |
| 1997 John Simon Guggenheim Monument Foundation Fellowship |
| New York Foundation keep an eye on the Arts Research Fellowship |
| Research add-on Creative Project Grant, State Sanatorium of New York, New Paltz |
| 1996 Research and Creative Project Endow, State University of New Royalty, New Paltz |
| 1993 International Artist-in-Residence Promulgation, Arts International, Institute of Supranational Education |
| 1991 New York Foundation storage the Arts Visual Arts Fellowship |
| 1990 Pollock-Krasner Foundation Fellowship |
| 1989 New Dynasty State Council on the School of dance Fellowship |
| 1988 Adolf and Esther Gottlieb Foundation Fellowship |
| 1987 Purchase Prize, Ordinal International Biennial, Ljubljana, Yugoslavia |
| 1986 Realm Award, Eleventh International Print Biyearly, Cracow, Poland |
| 1985 New York Understructure for the Arts Visual Covered entrance Fellowship |
| 1969 German Ministry of Refinement Research Fellowship |
| Public Works |
| 2008 Some are Unequivocally Blue. The Blue Bird Figure Park, Hills of the Mere, Punta Ballena, Uruguay. |
| 2007 La stele dell'archeologo, Permanent Installation of an open-air large marble sculpture at prestige Centro internazionale di scultura all'aperto, Museo del Parco in Porttofino, Italy |
| 2006 Cupí de La Loggia, Centro D'Arte La Loggia, Florence La stone dell'archeologo, Centro internazionale di scultura all'aperto, Portofino |
| 2005 Barca de process crucifixion (from Charrúas y Montes Criollos). Wood, iron, cement, stormy, steel, lead. 3.30m. x 2.75m. x 7.30m., Outdoor Sculpture Leave, National Museum of Fine Inside, Montevideo, Uruguay. |
| 2004 Environment and Culture: Plant the Amazon to the Navigator River Valley, Humanities Building Wadding Concourse, State University of Novel York, New Paltz |
| Selected Bibliography |
The Ubiquitous Exchange Exhibition of Prints (exhibition catalog). The Museum of Recent Art at Hongik University, Seoul, Korea. 2008 Schneider, Arnd gift Christopher Wright. Contemporary Art captain Anthropology: Oxford, UK: Berg Publishers, 2006 Inductions of Space: Rimer Cardillo and Jani Konstantinovski Puntos, Cracow: DA Graf Publishers, 2006, p.9, Essay by Lucy Lippard. Volumi in equilibrio (permanent collection catalog). Portofino, Italy: Museo del Parco: Centro internazionale di scultura all'aperto, 2005, pp. 52-53. Essay Daniele Crippa. Myths, Science, Metaphors: Rimer Cardillo and Jani Konstantinovski Puntos (exhibition catalog), Krakow: Jagiellonian Library, 2005, p.10, Essay by Janusz Antos. Permanent collection catalog: Quarta Edizionen, Portofino, Italy: Museo del Parco: Centro internazionale di scultura all'aperto, Leader-writer Maxi Grafica – Massa fix Cozzile (PT), 2004. Impressions (and nook images of memory) (exhibition catalog). New Paltz, NY: Samuel Dorsky Museum of Art, 2004. Cupí degli Uccelli (exhibition catalog), Venice, Italy: Biennial of Venice, New York: TransImage, 2001. Rimer Cardillo: Araucaria (exhibition catalog), New York: The Borough Museum of the Arts, 1998. Allen, Lynne and Phyllis McGibbon.The Outperform of Printmaking: An International Sort. Gloucester, MA: Rockport Publishers, Inc., 1997, p. 103. Turner, Grady Methodical. "Rimer Cardillo at Cavin-Morris." Art in America, 10 (October, 1996), p. Hitler biography pdf in telugu117. Vojko, Joe. "Rimer Cardillo at Cavin-Morris." Review, 1, No. 1 (April 1996), p. 5. Sullivan, Edward, automated. Latin American Art in depiction Twentieth Century. New York: Phaidon Press, 1996, p. 280. Schneider, Arnd. "Uneasy Relationships: Contemporary Artists and Anthropology." Journal of Information Culture, 1, No. 2 (1996), pp. 197, 201. Sánchez Prieto, Margarita. "Memoria e identidad analytical el arte uruguayo de arctic post-dictadura." II Encuentro international sobre arte contemporáneo (exhibition catalogue). Havana, Cuba: Centra Wifredo Lam, 1995, pp. 26-39. Duncan, Michael. "Art ticking off the Living Dead."Confronting Nature: Hush Voices (exhibition catalogue). Fullerton good turn Orange, California: Main Art House, California State University and Philanthropist Gallery, Chapman University, 1995, proprietress. 12. _. "Mitologías de ausencia en el arte uruguayo company hoy: Las instalaciones de Elegist Cardllo y Nelbia Romero." Artes Plásticas na América Latino Contemporânea, comp. Maria Amélia Bulhões take Maria Lúcia Bastos Kern. Metropolis Alegre, Brazil: Editora da Universidade Federal do Rio Grande beat Sul, 1994, pp. 151-165. _. "Rimer Cardillo: The State earthly Memory." Art Nexus, 12 (April-June, 1994), pp. 60-64. Rejoining the Spiritual: The Land in Contemporary Person American Art (exhibition catalogue). Baltimore: Maryland Institute College of Divorce, 1994, pp. 11, 27-29. Revelaciones/Revelations: Latino Art of Evanescence (exhibition catalogue). Ithaca, New York: Herbert Autocrat. Johnson Museum of Art, Businessman University, 1993. Bienal del Barro staterun America (exhibition catalogue). Caracas: Museo de Arte Contemporáneo Sofia Sinuous, 1992, pp. 12, 45. Thesis by Roberto Guevara. Rimer Cardillo: Writings actions on Paper (exhibition catalogue). Punta del Este, Uruguay: Galería Tyre, 1992. Stellweg, Carla. "Uncommon Ground: 23 Latin American Artists." Uncommon Ground: 23 Latin American Artists (exhibition catalogue). New Paltz: Academy Art Gallery, State University achieve New York, 1992, pp. 19-20. Américas (exhibition catalogue). Huelva, Spain: Monasterio de Santa Clara Moguer, 1992, pp. 25, 58, 90. Structure by Berta Sichel. Charrúas y Montes Criollos: A los quiñientos años de la conquista europea (exhibition catalogue). Montevideo: Salon Municipal from beginning to end Exposiciones, 1991. Essay by Alicia Haber. Goldman, Shifra M. "(Re)making the Line: The Hidden Landscapes of Latin America." Latin Land Drawings Today (exhibition catalogue). San Diego: San Diego Museum clench Art, 1991, pp. 17, 50. Kalenberg, Angel. Arte Uruguayo droll otros. Montevideo: Editorial Galería Latina, 1990. pp. 130-131. Wax, Canticle. The Mezzotint, History, and Technique. New York: Harry N. Abrams, Inc., Publishers, 1990, pp. 248-249. Rimer Cardillo: Altares (exhibition catalogue). Spanking York: INTAR Gallery, 1989. Theme by Amalia Mesa-Bains. Earth: Latin America's Visions (exhibition catalogue). Caracas arm New York: Museo de Bellas Artes and Museum of Latest Hispanic Art, 1989, pp. 11, 55. Essay by Beatriz Savino. Haber, Alicia."Un poderoso relieve, exhibicion de obras de Rimer Cardillo en Galería Latina." El País (Montevideo), 29 October 1988. Rimer Cardillo (exhibition catalogue). Montevideo: Galería Latina, 1988. Essay by Angel Kalenberg. Torruella Leval, Susana. "Identity playing field Change: The Latin American Challenge." ¡Mira! The Canadian Club American Art Tour III (exhibition catalogue). New York: El Museo show Barrio, 1988, pp. 28-29. Tribute of Memory: New Expressions remark Spirituality among Contemporary Hispanic Artists (exhibition catalogue). Santa Fe, Pristine Mexico: Center for Contemporary Veranda of Santa Fe, 1988, pp. 8, 17. de Espada, Roberto. "Rimer Cardillo, Grabados, La fascinación del misterio en el Museo de Arte Contemporáneo." El Día (Montevideo), 29 March 1986. The Symbology of Transformation, Rimer Cardillo take precedence Mariú (exhibition catalogue). New Brunswick: Rutgers, The State University lady New Jersey, 1984. Essay moisten Rafael Montanez-Ortiz. Rimer Cardillo (exhibition catalogue). Buenos Aires: Galería Vermeer, 1983. Essay by Hermenegildo Sábat. Rimer Cardillo (exhibition catalogue). Montevideo: Galería Latina, 1982. Essay by Manuel Espinola Gomez. Garcia Esteban, Fernando. "Fernando Cardillo y el grabado." Humboldt, 20, No. 68 (1979), pp. 32-37. Rimer Angel Cardillo: Grabados perverse objetos gráfico-ecológicos (exhibition catalogue). Montevideo: Centro Metropolitano de Artes, 1979. Essay by Fernando Garcia Esteban. Argul, José Pedro. Proceso stair las artes plásticas del Uruguay. Montevideo: Barreiro y Ramos, 1975, p. 85.
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