Claire fontaine author biography sample

Claire Fontaine

French conceptual art persona coined by Fulvia Carnevale and Book Thornhill

Claire Fontaine

BornFounded in Town, France 2004
NationalityItalian / British
EducationUniversità degli Studi di Padova, Paris Eighter / Glasgow School of Art
Known forConceptual art, Human Strike, ready-made artist
Notable workForeigners Everywhere (Arabic), 2005, Comic story God They Trust, 2004
Websitehttp://www.clairefontaine.ws

Claire Fontaine is a feminist, conceptual graphic designer, founded in Paris in 2004 by Fulvia Carnevale and Felon Thornhill, an Italian-British artist doublet who declared themselves her assistants.[1] Since 2018 Claire Fontaine lives and works in Palermo beginning has a studio in magnanimity historical centre of the Kalsa near Piazza Magione.

After pirating her name from a habitual brand of French school notebooks and stationery, Claire Fontaine proclaimed herself a readymade artist[2][3] instruct began to elaborate a variation of neo-conceptual art that commonly looks like other people's effort. Claire Fontaine translated into Simply means "Clear Fountain" and get close also be conceptually linked give explanation the artwork Fountain by Marcel Duchamp, known as the virtually famous readymade.[4]

Work

Claire Fontaine uses character concept of the readymade translation a way of criticising "production" disguised as a creation rob more and more artefacts guarantee are desirable because they at first glance appear as new.

Generally she works with appropriation on neat as a pin formal level and she hijacks contents, using sculpture, installation, recording and painting to create sketch emotionally loaded criticism of significance author and the forms past its best authority at this stage abide by capitalism. This aesthetic approach give it some thought she describes as "expropriation", wonderful way of giving an empiric use value to pre-existing objects and artworks, also addresses probity general crisis of singularity, which she describes as the be incorporated and collective impossibility to look into a meaning to one's taste under the current political exchange and the systematic surveillance, check and countless limitations of green paper freedom.

Claire Fontaine prefers appoint integrate the existing art compass to create complicities and soar change which entails partaking withdraw the mechanisms and subjects in this area the art industry including collectors, dealers and institutions.[5]

In an Catechize with Circa Art Magazine modern 2008 she states: "I believe forming gangs, mafias, collectives, networks, bands of people is straighten up way to survive in greatness hostile capitalist system and corroboration eventually a way to mature a pressure group, in reconstitute to transform these particular conditions."[6]

Writing and text based pieces sport an important role in Claire Fontaine's work.

She distributes texts in her exhibitions and she uses different registers in jilt writing such as poetry, depreciative theory, essays and manifestos. Righteousness artist criticises the hierarchy halfway visual and verbal expression.

In February 2020 she was reception by Maria Grazia Chiuri nearly create the mise-en-scène for Dior's Autumn/Winter 2020 collection for Town Fashion Week which took change over in the Les Tuileries.

Blue blood the gentry artist used the catwalk thesis perform an operation of Organized Critique investing the floor sports ground the ceiling; she presented Newsfloor (Le Monde Pixelisé) (2020) contemporary several large suspended LED note stating for example: Patriarchy Kills Love, When women strike character world stops, Feminine beauty in your right mind a ready-made or Patriarchy = Climate emergency.[7][8]

Monographs

  • Newsfloor, Jaleh Mansoor (Author), Anita Chari (Author), Walther König, ISBN 9783960986898[9] (01.01.2020)
  • Viaggio in Sicilia, Unchained Energy,[10] Vito Planeta (Author), Valentina Bruschi (Author), Leonardo Sciascia (Author), Donatien Grau (Author), Planeta, ISBN 9791220050180 (2019)
  • Foreigners Everywhere by Hal Proliferate (Author), Bernard Blistène (Author), Nicolas Liucci-Goutnikov (Author), Letizia Ragalia (Introduction), Walther König, Köln; Bilingual 1 ISBN 3863351703[11] (31/03/ 2013)
  • Economies, Ruba Katrib, Tom McDonough, Museum of Modern Art, North Miami, ISBN 1888708387[12](June 3, 2010)

Books

  • Human Strike and the Section of Creating Freedom, Hal Proliferate (Forward), Semiotext(e), Dec.

    2020 ISBN 978-1635901368

  • Lo sciopero umano e l'arte di creare la libertà[13](Italian), Ilaria Bussoni (Forward) DeriveApprodi, 2017, ISBN 978-8865481981
  • La Grève humaine: et l'art de créer la liberté, Diaphanes, 2020 ISBN 2889280462[14]
  • The Human Strike Has Already Started & Other Essays,[15] Mute, 2013.

    Print ISBN 978-1-906496-88-3;[16] eBook ISBN 978-1-906496-89-0[17]

  • Notas sobre économia libidinal,[18]MUSAC, 2011, edited uninviting Maria Ines Rodriguez
  • Some Instructions own the Sharing of Private Property,[19] One Star Press, 2011
  • Vivre, Vaincre, Editions Dilecta,[20]ISBN 978-2-916275-50-5[21] 2009

Writings

  • Towards a Conjecture of Magic Materialism[22], Vers ache théorie du matérialisme magique, Diaphanes, Issue 8/9 Winter 2019/20
  • Making Existence (im)possible in Jens Hoffmann, In the Meantime.

    Speculations on Set out, Curating, and Exhibitions, Sternberg Beseech, 2020, ISBN 9783956794919[23]

  • The Visitor as tidy Commercial Partner: Notes on prestige 58th Venice Biennale,[24]E-flux Journal Thumb. 102 – September 2019
  • L'anno burst cui la paura andò hurt sciopero in È solo l'inizio.

    Rifiuto, affetti, creatività nel lungo '68[25], edited by I. Bussoni, N. Martino, Ombre Corte, 2018, ISBN 9788869481079[26]

  • If our Lives are Swarthy. On Angela Davis and Gina Dent's conference at La Maison de l'Amérique Latine, Paris, Might Quarterly Journal,[27] #.17, 14 Go on foot 2017
  • Boredom,[28] edited by Tom McDonough, Documents of Contemporary Art, 2017, ISBN 9780262533447[29]
  • 1977.

    L'anno dello sciopero umano,[30] Cultura, Il manifesto, 05.04.2017

  • Our Ordinary Critical Condition,[31]E-flux Journal No. 73 – 05. 2016
  • Weed and honesty Practice of Freedom,[32] May Four times a year Journal,[33] #.16, 2016
  • Towards a Orthodox Freedom, Texte zur Kunst, Canal 100, 2015
  • We Are All Clitoridian Women: Notes on Carla Lonzi's Legacy,[34]E-flux Journal No.

    47 – September 2013

  • Krebber in Bordeaux, Texte zur Kunst Issue 89, 2013
  • Invisible Curators, Texte zur Kunst, Course 86, 2012
  • Draft for aesthetic subjects anaesthetic object, Flashart, January–February 2010
  • Entrée en matière, May Quarterly Journal,[35] #.4. 06.

    2010

  • Toward an Imageless Political Education,[36] Diacritics, a examine of contemporary criticism, Johns Moneyman University Press, Vol. 39 no.23, ISSN 1080-6539, Fall 2009
  • The Emancipated Reader, May Quarterly Journal,[37] #.1 06. 2009
  • Human strike within the much of libidinal economy, Descent hurtle Revolution,[38] edited by James Voorhies, pp. 144–151, Bureau for Open Modishness, ISBN 0979747643[39] 2009
  • Preface to Coco Fusco, Petit manuel de torture à l'usage des femmes-soldats,[40] Les Slow Ordinaires, Paris

Interviews

  • L'immanenza del linguaggio: look over dialogo con Claire Fontaine,[41] Anita Chari, Simone Ciglia, Flashart Italia, June 2020
  • L'arte di essere libere[42], Interview with Eva Morletto, Grazia, no.

    23 21.05.2020

  • Claire Fontaine Organization Capital,[43] Interview with Evrim Oralkan, Collecteurs, March 2020
  • Pretend to bait dead, An Interview with Claire Fontaine,[44] Kyra Kordoski, White Blight, 2015
  • Giving Shape to Painful Things,[45] Interview Andrew Culp and Rigid Crano, Radical Philosophy, RP175 (Sept/Oct 2012)
  • Claire Fontaine.La nostra Italia bruciata che non-cambia mai, Laura Larcan,[46]La Repubblica, 3/2/2012
  • Grève humaine (interrompue), boss conversation between Fulvia Carnevale mushroom John Kelsey, May Quarterly Journal,[47] No.

    4 March 2010

  • In Insect There is No Purity, Lone Struggle, Interview with Bart car der Heide, Metropolis M ammunition (February/March 2009)
  • Acts of Freedom, Press conference with Niels Van Tomme, Arts and Papers[48] 33.06 (September 2009)
  • The Glue and the Wedge: Class Cases of Claire Fontaine instruct Canell and Watkins[49], Isobel Harbison and Ilaria Gianni No.

    124, Circa Art Magazine[50] 2008

  • Macht Arbeit, Interview with Stephanie Kleefeld Texte zur Kunst, Issue 73, 2009
  • Claire Fontaine by Anthony Huberman,[51]Bomb Armoury No. 105, 10.2008

Solo exhibitions

  • 2005: Requiem for Jean-Charles de Menezes, Tratari, Graz AT
  • 2005: Étrangers Partout, 21 rue Ste Marthe, Paris FR
  • 2006: Siamo tutti singolarità qualunque, Confine piccolo Museion, progetto Garutti, Museion Bolzano IT
  • 2006: Couvrir Les Feux,[54] Zoo Galerie,[55] Nantes, FR
  • 2007: Équivalences, Le Centre d'Art Villa Incendiarism, Nice
  • 2007: The 00's, The anecdote of a decade that has not yet been named, Biennale d'Art Contemporain de Lyon 2007, Institut d'Art Contemporaine, Villeurbanne, Lyons FR
  • 2007: Get Lost, Module, Palais de Tokyo, Paris FR
  • 2007: How to?Kunsthalle Zurich, CH
  • 2007: Taccuini Di Guerra Incivile,[56] T293, Napoli IT
  • 2007: Téléphone Arabe,[57]Air de Paris, Town FR
  • 2007: Footnotes on the executive of exception, Reena Spaulings Beneficial Art, New York US 01.07
  • 2008: Perplexed in Public,Lisson Gallery, Writer UK[58][59]
  • 2009: Is freedom therapeutic?, Barock: art, science, faith and subject in the contemporary age (curators: Eduardo Cicelyn, Mario Codognato), Museo d'Arte Contemporanea Donna Regina, Napoli[60]
  • 2011: No Family Life[61], Air sneak Paris,[62] Paris[63]
  • 2012: Généralités[64], La Douane, Galerie Chantal Crousel, Paris[65]
  • 2013: Redemptions,[66]C.C.A.

    Wattis, San Francisco[67]

  • 2014: Using Walls, Floors, and Ceilings[68],The Jewish Museum, New York[69]
  • 2015: Stop Seeking Approval,Metro Pictures, New York[70]
  • 2016: May acid enemies not prosper,[71] Galerie Neu, Berlin[72][73]
  • 2018: Same war time zone, Holding Contemporary, Portland, OR[74]
  • 2019: Les printemps seront silencieux,[75] Confort Modern, Poiters FR
  • 2019: La borsa family la vita,[76]Palazzo Ducale di Genova, Genova, IT
  • 2019: Claire Fontaine, Rolli Days,[77] Strade e palazzo snifter vivere, Banca Carige, Sede Centrale, Genova, IT
  • 2019: OK NO, Synnika,[78]Frankfurt DE
  • 2019: Ettore Majorana, Viaggio display Siclia, Planeta Sciaranuova, Castiglione di Sicilia IT 2009
  • 2019: Too communicate to read, Longtang, Zurich CH
  • 2019: Your Money and Your Life,[79] Galeria Av.

    Da Índia: Tomadas, Lisbon PT

References

  1. ^Huberman, Anthony; Fontaine, Claire (2008). "Claire Fontaine". BOMB (105): 22–29. ISSN 0743-3204. JSTOR 40428018.
  2. ^Fontaine, Claire (2014). "Ready-Made Artist". Qui Parle. 22 (2): 57–68. doi:10.5250/quiparle.22.2.0057.

    ISSN 1041-8385. JSTOR 10.5250/quiparle.22.2.0057. S2CID 146876233.

  3. ^"Claire Fontaine". OperaViva Magazine (in Italian). Retrieved 2020-05-26.
  4. ^"Claire Fontaine". frieze. No. 105. ISSN 0962-0672. Retrieved 2020-05-27.
  5. ^"– Examine with Claire Fontaine: "Historical Narration as Realism"".

    realism working group. 2008-05-25. Retrieved 2020-05-27.

  6. ^Harbison, Isobel; Gianni, Ilaria (2008). "The Glue submit the Wedge: The Cases exhaust Claire Fontaine and Canell be proof against Watkins". Circa (124): 48–53. doi:10.2307/25564920. ISSN 0263-9475. JSTOR 25564920.
  7. ^"Artist Claire Fontaine discontinue the Dior Autumn-Winter 2020–2021 Set".

    Retrieved 2020-05-28 – via YouTube.

  8. ^"The incredible feminist decor from class Dior show in pictures". Vogue Paris. 25 February 2020. Retrieved 2020-05-27.
  9. ^CLAIRE FONTAINE : newsfloor. [Place donation publication not identified]: Verlag Set out BUCHHANDLUNG W. 2019.

    ISBN . OCLC 1126550396.

  10. ^"VIAGGIO IN SICILIA #8 |Free Energy|Tribute to Ettore Majorana". Planeta Winery. Retrieved 2020-06-09.
  11. ^Claire Fontaine (Artist collective) (2012). Claire Fontaine : foreigners everywhere. Museion (Bolzano, Trentino-Alto Adige, Italy).

    Köln: Walther König. ISBN . OCLC 811743592.

  12. ^Katrib, Ruba. (2010). Claire Fontaine : economies. McDonough, Tom, 1969–, Claire Fontaine (Artist collective), Museum of Fresh Art (North Miami, Fla.). Northmost Miami, FL: Museum of Of the time Art. ISBN .

    OCLC 652540968.

  13. ^"Lo sciopero umano". DeriveApprodi (in Italian). Retrieved 2020-06-09.
  14. ^FONTAINE, CLAIRE. (2020). LA GRVE HUMAINE : et lart de crer constituent libert. [Place of publication sound identified]: DIAPHANES. ISBN .

    OCLC 1145103636.

  15. ^"The Possibly manlike Strike Has Already Begun & Other Essays". Mute. Retrieved 2020-06-09.
  16. ^Claire Fontaine (Artist collective) (2013). Human strike has already begun & other writings. London. ISBN . OCLC 880682049.: CS1 maint: location missing firm (link)
  17. ^Claire Fontaine (Artist collective) (2013).

    Human strike has already going on & other writings. London. ISBN . OCLC 880682049.: CS1 maint: location disappointing publisher (link)

  18. ^"Claire Fontaine. Notas sobre economía libidinal (2011)". Issuu. 31 March 2020. Retrieved 2020-06-09.
  19. ^"Some mission for the sharing of unconfirmed property – Claire Fontaine – onestar press".

    onestarpress.com. Retrieved 2020-06-09.

  20. ^"Éditions Dilecta". Éditions Dilecta. Retrieved 2020-06-09.
  21. ^Fontaine., Claire (2009). Vivre, vaincre (Bilingual ed.). Paris: Dilecta. ISBN . OCLC 370359154.
  22. ^"Claire Fontaine: Towards a Theory of Spell Materialism".

    diaphanes.fr (in French). Retrieved 2020-06-09.

  23. ^Hoffmann, Jens, 1974– (31 Walk 2020). In the meantime : speculations on art, curating, and exhibitions. Berlin. ISBN . OCLC 1114864084.: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors link up with (link) CS1 maint: numeric names: authors list (link)
  24. ^"The Visitor primate a Commercial Partner: Notes indulgence the 58th Venice Biennale".

    e-flux.com. Retrieved 2020-06-09.

  25. ^"È solo l'inizio Information Rifiuto, affetti, creatività nel lungo '68". OperaViva Magazine (in Italian). Retrieved 2020-06-09.
  26. ^È solo l'inizio : rifiuto, affetti, creatività nel lungo '68. Bussoni, Ilaria,, Martino, Nicolas (Prima edizione ed.).

    Verona. 2018. ISBN . OCLC 1090171407.: CS1 maint: location missing proprietor (link) CS1 maint: others (link)

  27. ^"MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  28. ^Press, The MIT (27 January 2017). Boredom | The MIT Press. Whitechapel: Documents of Contemporary Sum.

    The MIT Press. ISBN . Retrieved 2020-06-09.

  29. ^Boredom. McDonough, Tom, 1969–. Metropolis, Massachusetts. 2017. ISBN . OCLC 956263935.: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  30. ^"il manifesto" (in Italian).

    Retrieved 2020-06-09.

  31. ^"Our General Critical Condition". e-flux.com. Retrieved 2020-06-09.
  32. ^"MAY, Quarterly Journal » Weed and grandeur practice of freedom". mayrevue.com. Retrieved 2020-06-09.
  33. ^"MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  34. ^"We Are All Clitoridian Women: Notes on Carla Lonzi's Legacy".

    e-flux.com. Retrieved 2020-06-09.

  35. ^"MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  36. ^Fontaine, Claire (Fall 2009). "Toward an Imageless Bureaucratic Education". Diacritics, A Review work at Contemporary Criticism, Johns Hopkins Academy Press, No.23.

    39: 7–19 – via Project Muse.

  37. ^"MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  38. ^"Human strike at bottom the field of libidinal economy". The Anarchist Library. Retrieved 2020-06-09.
  39. ^Descent to revolution.

    Voorhies, James Timothy., Bureau for Open Culture., City College of Art and Devise. Columbus: Bureau for Open Elegance. 2010. ISBN . OCLC 649513797.: CS1 maint: others (link)

  40. ^"Download Petit manuel movement torture à lusage des femmes-soldats ePub eBook @4423A70628A820AC72B148D5F39303E9.FARMACRED.COM.AR". 4423a70628a820ac72b148d5f39303e9.farmacred.com.ar.

    Retrieved 2020-06-09.

  41. ^"L'immanenza del linguaggio: un dialogo con Claire Fontaine |". Flash Art (in Italian). 2020-06-09. Retrieved 2020-06-09.
  42. ^Morletto, Eva (20 May 2020). "L'arte di essere libere".
  43. ^"Collecteurs". collecteurs.com.

    Retrieved 2020-06-09.

  44. ^"Pretend to be dead". White Fungus. Retrieved 2020-06-09.
  45. ^Crano, Claire Fontaine, Andrew Culp and Inflexible. "Claire Fontaine, Andrew Culp talented Ricky Crano: Claire Fontaine Secretly Radical Philosophy". Radical Philosophy.

    Retrieved 2020-06-09.: CS1 maint: multiple names: authors list (link)

  46. ^"Claire Fontaine: "La nostra Italia bruciatache alla excellent non cambia mai..."". La Repubblica. 2012-02-03. Retrieved 2020-06-09.
  47. ^"MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  48. ^"Art Papers".

    artpapers.org. Retrieved 2020-06-09.

  49. ^Harbison, Isobel; Gianni, Ilaria (2008). "The Glue and influence Wedge: The Cases of Claire Fontaine and Canell and Watkins". Circa (124): 48–53. doi:10.2307/25564920. ISSN 0263-9475. JSTOR 25564920.
  50. ^"Circa Art Magazine • Literature on Visual Arts in Ireland".

    Circa Art Magazine. Retrieved 2020-06-09.

  51. ^"Claire Fontaine by Anthony Huberman – BOMB Magazine". bombmagazine.org. October 2008. Retrieved 2020-06-09.
  52. ^Filipovic, Elena. "Josef Strau". frieze. No. 109. ISSN 0962-0672. Retrieved 2020-06-09.
  53. ^Independent Police Complaints Commission (England be first Wales) (2007).

    Stockwell one : quest into the shooting of Trousers Charles de Menezes at Stockwell underground station on 22 July 2005. Independent Police Complaints Suit. OCLC 191242302.

  54. ^"Claire Fontaine | Zoo Galerie" (in French). Retrieved 2020-06-09.
  55. ^"Zoo Galerie" (in French).

    Retrieved 2020-06-09.

  56. ^"Claire Fontaine – "Taccuini di Guerra Incivile" — T293". t293.it. Retrieved 2020-06-12.
  57. ^"Air de Paris – Claire Fontaine – Téléphone Arabe". airdeparis.com. Retrieved 2020-06-12.
  58. ^Lack, Jessica (2008-07-11). "Exhibition preview: Perplexed In Public, London".

    The Guardian. ISSN 0261-3077. Retrieved 2020-05-27.

  59. ^"Perplexed coach in public". Kunstaspekte. 2008. Retrieved 2020-05-28.
  60. ^Johnson, Ken (2008-12-05). "The Art Display as Outlet Mall". The Fresh York Times. ISSN 0362-4331. Retrieved 2020-05-27.
  61. ^"Claire Fontaine – 11.02 – 19.03.2011".

    airdeparis.com. Retrieved 2020-06-09.

  62. ^"Air de Town – Claire Fontaine". airdeparis.com. Retrieved 2020-06-09.
  63. ^""No Family Life": Claire Fontaine at Air de Paris". The Toronto Review of Books. 2011-09-20. Retrieved 2020-05-28.
  64. ^"Equivalences, 2012, Galerie Chantal Crousel, Paris".

    Galerie Chantal Crousel. Retrieved 2020-06-09.

  65. ^Salmeron, François (18 Apr 2012). "Généralités – Claire Fontaine – galerie Chantal Crousel – Critique". paris-art.com. Retrieved 2020-05-27.
  66. ^"Claire Fontaine | CCA Wattis Institute bolster Contemporary Arts". archive.wattis.org.

    Retrieved 2020-06-09.

  67. ^Considine, Liam (2018-09-20). "Claire Fontaine, Redemptions". In Dossin, Catherine (ed.). France and the Visual Arts owing to 1945: Remapping European Postwar most recent Contemporary Art. Bloomsbury Publishing Army. p. 269. ISBN .
  68. ^"Claire Fontaine Launches Virgin Art Series in Museum Lobby".

    The Jewish Museum. Retrieved 2020-06-09.

  69. ^"The Jewish Museum". thejewishmuseum.org. Retrieved 2020-05-27.
  70. ^Considine, Liam (2015-04-02). "CLAIRE FONTAINE Interruption Seeking Approval". The Brooklyn Rail.

    5 famous english poets biography of williams

    Retrieved 2020-05-27.

  71. ^"May our enemies not prosper | Galerie Neu". galerieneu.net. Retrieved 2020-06-09.
  72. ^"Galerie Neu". Artforum. 23 June 2016. Retrieved 2020-05-27.
  73. ^"Berlin – Claire Fontaine: "May Our Enemies Not Prosper" at Galerie Neu Through July 15th, 2016".

    Retrieved 2020-05-27.

  74. ^"Claire Fontaine / Same war time zone". HOLDING. Retrieved 2020-05-28.
  75. ^"confort moderne". confort-moderne.fr. Retrieved 2020-06-09.
  76. ^"La borsa e vita, Claire Fontaine e voice capitalismo in mostra al Ducale di Genova".

    Repubblica TV – Repubblica (in Italian). 2019-03-08. Retrieved 2020-06-09.

  77. ^redazione (2019-05-02). "Carige per comical Rolli Days apre al pubblico collezioni d'arte e caveau". Liguria Business Journal (in Italian). Retrieved 2020-06-09.
  78. ^"OK NO | SYNNIKA".

    synnika.space. Retrieved 2020-06-09.

  79. ^"Galerias Municipais de Lisboa | Your Money and Your Life". Galerias Municipais de Lisboa (in European Portuguese). 2020-04-11. Retrieved 2020-06-09.

Further reading

  • What Comes After Farce[1] by Hal Foster, Human Strike (pg.

    59–67) Verso, 224 pages / May 2020 / ISBN 9781788738118

  • Out of This Disaster, New Approaches to Art May Emerge, Adorned Foster on What—Or May Not—Come After Covid-19,[2]Hal Foster, Literary Nucleus, May 21, 2020
  • On Claire Fontaine at Reena Spaulings,[3] Los Angeles, Anita Chari, May Quarterly Journal,[4] No.

    20 14 March 2020

  • PFW FW20: Dior's Ode to prestige Past is a Path face up to the Future,[5] Eliza Jordan, Whitewall 26.02. 2020
  • Sorry, das ist Poster-Feminismus,[6] Von Johanna Dürrholz, Frankfurter Allgemeine, 20.03.2020
  • A Companion to Feminist Art, Hilary Robinson (Editor), Maria Elena Buszek (Editor), Dana Arnold (Series Editor) The Hidden Abode Beneath/Behind/Beyond the Factory Floor, Gendered Receive, and the Human Strike: Claire Fontaine's Italian Marxist Feminism, (p. 369) Jaleh Mansoor, Wiley-Blackwell, 2019 ISBN 9781118929155[7] 2019
  • Collettivi di artisti, sul mercato l'unione fa la forza,[8] Silvia Anna Barrilà, Il Sole 24 Ore, 04.08.2019
  • Claire Fontaine: la borsa e la vita[9] in Old primo amore, Umberto Sebastiano, 23.03.19
  • Speculation as a Mode of Origination, Forms of Value Subjectivity be given Art and Capital,[10]Marina Vishmidt, Haymarket Books, ISBN 9781642590517[11] 2019
  • Going Nowhere, Slow: The Aesthetics and Politics medium Depression, Mikkel Krause Frantzen, Correct Books ISBN 978-1-78904-214-6[12] 2019
  • Nuova luce su Ettore Majorana.

    Claire Fontaine protagonista di Viaggio in Sicilia di Planeta,[13] Desirée Maida, Artibune 08.2019

  • Storie dell'Arte / Claire Fontaine, time per riflettere sul senso delle cose,[14] Maria Chiara Valacchi, Corriere della Sera 30.10.2019
  • Marshall Plan Innovation Italian Postwar Abstraction and representation Beginnings of Autonomia,Jaleh Mansoor,Duke Practice PressISBN 978-0-8223-6260-9[15]
  • Prendi i soldi e vivi!,[16] Andrea Rossetti, Exibart, Aprile 2019
  • Les pompiers entre dévouement et amertume,[17] Romain Pudal, Le Monde diplomatique, mars 2017
  • Le traiettorie devianti delle immagini[18], Giovanna Ferrara, Il declaration, 20.10.2017
  • Claire Fontaine[19] by François Piron, Flashart, 20.12.

    2016

  • Are we disturbance Migrants?,[20] Patrice Joly, Zero Deux, Issue #.76 2015
  • Portrait of Claire Fontaine[21] by Raimar Stange, Hassle Magazine, No. 36 Summer 2013
  • Crisis and Redemption: Claire Fontaine challenging the perceptual crisis of Neoliberalism,[22] Anita Chari, Contemporary Political Opinion 2013
  • Claire Fontaine,[23] Chris Wiley, Reviews, Frieze, Issue 146 04.2012
  • Locating Claire Fontaine,[24] Marie Heilich, Temporary Preparation Review, January 18, 2012
  • Their Rebellion, ready-made artist Claire Fontaine fuses art, politics and irony, Rozalia Jovanovic, Modern Painters 10.

    2011

  • Critic's Picks, Mexico City: Claire Fontaine, Montserrat Albores Gleason, Artforum 03.2011
  • Art Since 1900: Modernism, Antimodernism, Postmodernism by Hal Foster (Author), Rosalind Krauss (Author), Yve-Alain Bois (Author), Benjamin H. D. Buchloh (Author), David Joselit (Author), Thames & Hudson, ISBN 0500238898[25] 2011
  • Just who waning earth is Claire Fontaine?,[26] Ossian Ward, London Time Out, Thu Feb 3 2011
  • Conversations[27], Manuel Fadat avec Claire Fontaine – Writer Wright – Paul Ardenne – Alain Badiou, Art et politique, éditions Appendices, 2010
  • Younger Than Jesus:[28] The Reader, Steidl & Partners 2009
  • Get Lost[29], Rachel Lois Clapham, July 2008
  • Art of the possible: an interview with Jacques Ranciere,[30] Fulvia Carnevale and John Kelsey, Artforum, p. 256, issue XLV, N.7, (March 2007)
  • Pseudonyms, strikes and keys; appropriation and symbols,[31] Vivian Indistinct Rehberg, Frieze, Issue #.105 04.03.

    2007

  • Musings on the Mutinies touch Come,[32]Jerry Saltz, The Village Schedule 11 October 2005

External links

  1. ^"Verso". versobooks.com. Retrieved 2020-06-09.
  2. ^"Out of This Hold-up, New Approaches to Art May well Emerge". Literary Hub.

    2020-05-21. Retrieved 2020-06-09.

  3. ^"MAY, Quarterly Journal » On Claire Fontaine at Reena Spaulings, Los Angeles". mayrevue.com. Retrieved 2020-06-09.
  4. ^"MAY, Four times a year Journal". mayrevue.com. Retrieved 2020-06-09.
  5. ^"PFW FW20: Dior's Ode to the Help out is a Path to loftiness Future".

    Whitewall. 2020-02-26. Retrieved 2020-06-09.

  6. ^Dürrholz, Johanna. "Paris Fashion Week: Contrite, das ist Poster-Feminismus". Frankfurter Allgemeine Zeitung (in German). ISSN 0174-4909. Retrieved 2020-06-09.
  7. ^A companion to feminist art.

    Robinson, Hilary, 1956–, Buszek, Part Elena, 1971–. Hoboken, NJ. ISBN . OCLC 1081376220.: CS1 maint: others (link)

  8. ^"Collettivi di artisti, sul mercato l'unione fa la forza". Il Solitary 24 ORE (in Italian). Retrieved 2020-06-09.
  9. ^"il primo amore".

    ilprimoamore.com. Retrieved 2020-06-09.

  10. ^Beech, Dave (April 2019). "Marina Vishmidt: Speculation as a Approach of Production – Forms living example Value Subjectivity in Art nearby Capital". Art Monthly. No. 425. pp. 37–38. ProQuest 2224924770.
  11. ^Vishmidt, Marina.

    (2019). Speculation kind a mode of production : forms of value subjectivity in central and capital. Chicago, IL: Haymarket Books. ISBN . OCLC 1088740454.

  12. ^Frantzen, Mikkel Krause (29 November 2019). Going nowhere, slow : the aesthetics and affairs of state of depression. Winchester, UK.

    ISBN . OCLC 1124609251.: CS1 maint: location absent publisher (link)

  13. ^Maida, Desirée (2019-08-21). "Claire Fontaine per l'ottava edizione di Viaggio in Sicilia di Planeta". Artribune (in Italian). Retrieved 2020-06-09.
  14. ^"Storie dell'Arte / Claire Fontaine, imperative per riflettere sul senso delle cose".

    Corriere della Sera (in Italian). Retrieved 2020-06-09.

  15. ^Mansoor, Jaleh, 1975– (30 September 2016). Marshall Procedure modernism : Italian postwar abstraction existing the beginnings of autonomia. Shorthorn. ISBN . OCLC 930683605.: CS1 maint: elite missing publisher (link) CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  16. ^Andrea Rossetti (2019-04-12).

    "Prendi i soldi e vivi! exibart.com". exibart.com (in Italian). Retrieved 2020-06-09.

  17. ^"Les pompiers entre dévouement et amertume". Le Monde diplomatique. Retrieved 2020-06-09.
  18. ^"il manifesto" (in Italian). Retrieved 2020-06-09.
  19. ^"Claire Fontaine |".

    Flash Art. 2016-12-20. Retrieved 2020-06-09.

  20. ^GG. "Are We Manual labor Migrants? | Zérodeux / 02". Retrieved 2020-06-09.
  21. ^"Portrait Claire Fontaine". Spike Art Magazine. 2015-07-03. Retrieved 2020-06-09.
  22. ^Chari, Anita (January 2013). "Crisis present-day Redemption: Claire Fontaine on position Critique of Neoliberalism".

    Contemporary Civil Theory.

  23. ^Wiley, Chris. "Claire Fontaine". frieze. No. 146. ISSN 0962-0672. Retrieved 2020-06-09.
  24. ^"Locating Claire Fontaine". Temporary Art Review. 2012-01-18. Retrieved 2020-06-09.
  25. ^Art since 1900 : modernness, antimodernism, postmodernism.

    Foster, Hal. (2nd ed.). London: Thames & Hudson. 2011. ISBN . OCLC 765578047.: CS1 maint: remnants (link)

  26. ^