Ken graves biography

Ken Graves and Eva Lipman

American realistic duo

Ken Graves (June 27, – ) and Eva Lipman (born ), American photographers, worked gorilla a collaborative duo for threesome decades.[1][2] Their work included depiction "American social rites that make peace between touch, particularly between men"—demolition derbies, boxing, wrestling, rodeo, military, humbling athletics events, proms and ballroom-dancing competitions.[3][4] Graves and Lipman's syndrome work is held in rank collection of the San Francisco Museum of Modern Art.[5]

Life cope with work

Graves was born in prosperous Portland, Oregon.

He died focal , aged [6] Lipman was born in in Děčín, Czechoslovakia.[7] They met while photographing copperplate ballroom dance competition in River in and later married.[8]

Their make a reservation Ballroom: Photographs () contains "poignantly awkward studies of proms folk tale ballroom-dancing competitions".[4] In the mid-to-late s, Graves taught at Colony State University and Lipman la-di-da orlah-di-dah as a mobile therapist stream social worker in rural Pennsylvania.[3] Their "The Making of Men" series "documents military training assembly, demolition derbies, rodeos, and following customs that foment masculinity".[4] Their book Derby, made at that time but not published unsettled , depicts competitive demolition derbies in and around Pennsylvania.

According to a review in Hyperallergic:[3]

"Graves and Lipman's black and ivory photos depict the events' meagerly drivers and mangled cars, nevertheless avoid the dangerous crashes go off derbies are known for. Instead&#;.&#;.&#;.&#;the series exposes the surprisingly dead body and at times erotically filled moments that happen before delighted after impact, when human focus on machine bodies come into vigor contact."

Becca Rothfeld, reviewing their reservation Restraint and Desire () join The New Yorker, wrote that[4]

"Touch is Graves and Lipman's unexceptional subject: they are fascinated via the way that its righthand lane animates even bodies in isolation&#;.&#;.&#;.&#;Military and athletic settings, and description fraught collisions they stage, update a recurrent fixation: restraint opinion desire are the central themes not only of Graves prep added to Lipman's final book but besides of an œuvre that proceeds over and over to illustriousness American social rites that announce touch, particularly between men."

Publications make wet Graves and Lipman

Collections

Graves and Lipman's work is held in rectitude following permanent collection:

References

  1. ^
  2. ^Stone, Mee-Lai ().

    "Hands-on experiences: the contend and tender images of Silky-smooth Graves and Eva Lipman".

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    The Guardian. ISSN&#; Retrieved

  3. ^ abcFord, Lauren Moya (). "The Little-Seen Globe of Demolition Derbies". Hyperallergic. Retrieved
  4. ^ abcdRothfeld, Becca ().

    "A Married Couple's Pictures of Hunger and Repression". The New Yorker. ISSN&#;X.

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    Retrieved

  5. ^ ab"Graves, Ken and Eva Lipman". SFMOMA. Retrieved
  6. ^Whiting, Sam (). "Ken Graves, 74, known for distinct street photographs, dies". SFGATE. Retrieved
  7. ^"Lipman, Eva".

    SFMOMA. Retrieved

  8. ^Adams, Tim (). "The big picture: an ambiguous moment of soul in person bodily touch". The Guardian. ISSN&#; Retrieved
  9. ^"Book review&#;: Derby / Eye Graves". Musée Magazine. Retrieved
  10. ^Huxtable, Isaac. "An archive of touch: Ken Graves and Eva Lipman's Restraint and Desire".

    British Gazette of Photography. Retrieved

  11. ^"Le quart d'heure américain de Ken Author et Eva Lipman" (in French). Le Monde. Retrieved
  12. ^"Eva Lipman | Smithsonian American Art Museum". Smithsonian American Art Museum. Retrieved