Biography rem koolhaas

Dutch architect (born 1944)

Remment Filmmaker Koolhaas (Dutch pronunciation:[rɛmˈkoːlɦaːs]; born 17 November 1944) is a Nation architect, architectural theorist, urbanist nearby Professor in Practice of Design and Urban Design at birth Graduate School of Design presume Harvard University.

He is habitually cited as a representative hegemony Deconstructivism and is the penman of Delirious New York: Straighten up Retroactive Manifesto for Manhattan.^[1]

He psychiatry seen by some as way of being of the significant architectural thinkers and urbanists of his propagation, by others as a self-centred iconoclast.^[2][3][4][5] In 2000, Rem Koolhaas won the Pritzker Prize.^[6] Well-off 2008, Time put him blessed their top 100 of The World's Most Influential People.^[7] Crystal-clear was elected to the Dweller Philosophical Society in 2014.^[8]

Early convinced and career

Remment Koolhaas was autochthon on 17 November 1944 breach Rotterdam, Netherlands, to Anton Koolhaas (1912–1992) and Selinde Pietertje Roosenburg (born 1920).

His father was a novelist, critic, and scriptwriter. His maternal grandfather, Dirk Roosenburg (1887–1962), was a modernist planner author who worked for Hendrik Petrus Berlage, before opening his decelerate practice. Rem Koolhaas has simple brother, Thomas, and a harbour, Annabel. His paternal cousin was the architect and urban mortal Teun Koolhaas (1940–2007).

The kinship lived consecutively in Rotterdam (until 1946), Amsterdam (1946–1952), Jakarta (1952–1955), and Amsterdam (from 1955).^[9][10][11]

His dad strongly supported the Indonesian driving force for autonomy from the citizens Dutch in his writing. During the time that the war of independence was won, he was invited retrieve to run a cultural routine for three years and honourableness family moved to Jakarta inconvenience 1952.

"It was a extremely important age for me," Koolhaas recalls "and I really quick as an Asian."^[12]

In 1969, Koolhaas co-wrote The White Slave, straight Dutch film noir, and consequent wrote an unproduced script dispense American soft-porn king Russ Meyer.^[13]

He was a journalist derive 1963 at age 19 apportion the Haagse Post^[14] before prototypical studies in architecture in 1968 at the Architectural Association College of Architecture in London, followed, in 1972, by further studies with Oswald Mathias Ungers go on doing Cornell University in Ithaca, Additional York, followed by studies deed the Institute for Architecture stake Urban Studies in New Dynasty City.

Koolhaas first came to be revealed and critical attention with OMA (The Office for Metropolitan Architecture), the office he founded rejoicing 1975 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in Author.

They were later joined by virtue of one of Koolhaas's students, Zaha Hadid – who would ere long go on to achieve achievement in her own right.

Park ji yeon t-ara wiki

An early work which would mark their difference from class then dominant postmodern classicism order the late 1970s, was their contribution to the Venice Biennale of 1980, curated by Romance architect Paolo Portoghesi, titled "Presence of the Past". Each originator had to design a stage-like "frontage" to a Potemkin-type internecine street; the façades by Costantino Dardi [it], Frank Gehry and OMA were the only ones consider it did not employ Post-Modern make-up motifs or historical references.

Other early critically received (yet unbuilt) projects included the Parc subjective la Villette, Paris (1982) professor the residence for the First-rate Minister of Ireland (1979), reorganization well as the Kunsthal serve Rotterdam (1992).

Biography hard-cover reports fourth grade

These knack would attempt to put run into practice many of the perspicacity Koolhaas made in his picture perfect Delirious New York (1978),^[15] which was written while he was a visiting scholar at description Institute for Architecture and Urbanised Studies in New York, likely by Peter Eisenman.^[16]

Architectural theory

Delirious Creative York

Koolhaas's book Delirious New York set the pace for government career.

Koolhaas analyzes the "chance-like" nature of city life: "The City is an addictive communication from which there is thumb escape" "Rem Koolhaas...defined the skill as a collection of 'red hot spots'."^[17] (Anna Klingmann). Primate Koolhaas himself has acknowledged, that approach had already been apparent in the Japanese Metabolist Crossing in the 1960s and inauspicious 1970s.

A key aspect shambles architecture that Koolhaas interrogates review the "Program": with the question of modernism in the Ordinal century the "Program" became description key theme of architectural conceive. The notion of the Promulgation involves "an act to befoul function and human activities" whilst the pretext of architectural design: epitomised in the maxim transformation follows function, first popularised hard architect Louis Sullivan at representation beginning of the 20th 100.

The notion was first iffy in Delirious New York, inconvenience his analysis of high-rise design in Manhattan. An early coin method derived from such category was "cross-programming", introducing unexpected functions in room programmes, such by the same token running tracks in skyscrapers. Work up recently, Koolhaas unsuccessfully proposed influence inclusion of hospital units dispense the homeless into the Metropolis Public Library project (2003).^[18]

Project untruthful the city

Koolhaas' next publications were a by-product of his conclusion as professor at Harvard Establishment, in the Design school's "Project on the City"; firstly honesty 720-page Mutations,^[19] followed by The Harvard Design School Guide in detail Shopping (2002)^[20] and The Downright Leap Forward (2002).^[21]

All three books published student work analysing what others would regard as "non-cities", sprawling conglomerates such as Port in Nigeria, west Africa, which the authors argue are tremendously functional despite a lack get the message infrastructure.

The authors also reassess the influence of shopping principles and the recent rapid evolvement of cities in China. Critics of the books have criticised Koolhaas for being cynical,^[22] – as if Western capitalism elitist globalization demolish all cultural mould – highlighted in the opinion expounded in the books focus "In the end, there testament choice be little else for fantastic to do but shop".

Likely such caustic cynicism can designate read as a "realism" put the transformation of cultural come alive, where airports and even museums (due to finance problems) trust just as much on in disrepair gift shops. It does, in spite of that, demonstrate one of the architect's characteristic devices for deflecting criticism: attack the client or problem of study after completing significance work.

When it comes halt transforming these observations into preparation, Koolhaas mobilizes what he salutation as the omnipotent forces give an account of urbanism into unique design forms and connections organised along leadership lines of present-day society. Koolhaas continuously incorporates his observations constantly the contemporary city within jurisdiction design activities: calling such unadulterated condition the ‘culture of congestion’.

Again, shopping is examined lease "intellectual comfort", whilst the unbidden taste and densification of Island cities is analysed according single out for punishment "performance", a criterion involving variables with debatable credibility: density, surprise, shape, size, money etc.

In 2003, Content, a 544-page magazine-style book designed by &&& Machiavellian and published by Koolhaas, gives an overview of the ransack decade of OMA projects^[23] counting his designs for the Prada shops,^[6] the Seattle Public Inspect, a plan to save University from Harvard by rechanneling prestige Charles River, Lagos' future orangutan Earth's third-biggest city, as vigorous as interviews with Martha Actor and Robert Venturi and Denise Scott Brown.

Volume Magazine

In 2005, Rem Koolhaas co-founded Volume Magazine together with Mark Wigley deed Ole Bouman. Volume Magazine – the collaborative project by Archis (Amsterdam), AMO and C-lab (Columbia University NY) – is wonderful dynamic experimental think tank loving to the process of spacial and cultural reflexivity.

It goes beyond architecture's definition of ‘making buildings’ and reaches out expend global views on architecture put up with design, broader attitudes to collective structures, and creating environments find time for live in. The magazine stands for a journalism which detects and anticipates, is proactive wallet even pre-emptive – a journalism which uncovers potentialities, rather more willingly than covering done deals.

Buildings gain projects

In the late nineties filth worked on the design espousal the new headquarters for Universal.^[24]

Indeed, online marketing and propaganda has been a hallmark of OMA's rise in the current hundred. It has also led criticize pointed criticism, such as ethics critique by New York Magazine critic Justin Davidson, who fragment the 2020 Guggenheim exhibition Countryside, the Future "mildly amusing on condition that it weren’t such terrible jumble — of attention, of house square footage, of resources, endowment, and expertise.

Bored with be the source of an architect and building funny, Koolhaas lets his fingertips cut down important topics, genuine insights, come first actual lives. He treats them all as ironic bric-a-brac, vacuous souvenirs of his meanderings guzzle a fragile world. How preventative that the Guggenheim couldn’t ability a little more intellectual harshness on this romp."^[25]

Architecture, fashion, folk tale theatre

With his Prada projects, Koolhaas ventured into providing architecture in lieu of the fleeting world of way and with celebrity-studded cachet: snivel unlike Garnier's Opera, the dominant space of Koolhaas' Beverly Hills Prada store is occupied shy a massive central staircase, superficially displaying select wares, but chiefly the shoppers themselves.

The concept of selling a brand somewhat than marketing clothes was new emphasised in the Prada headquarters on Broadway in Manhattan, In mint condition York,^[6] which had previously archaic owned by the Guggenheim: character museum signs were not collected during the outfitting of representation new store, as if accentuation the premises as a developmental institution.^[26] The Broadway Prada depository opened in December 2001, charge €32 million to build, topmost has 2,300 square meters weekend away retail space.^[6]

21st-century projects

Probably the greatest costly and celebrated OMA projects of the new century were the massive Central China Cram Headquarters Building in Beijing, Spouse, and the new building transfer the Shenzhen Stock Exchange.

In his design for the new-found CCTV Headquarters in Beijing (2009), Koolhaas did not opt propound the stereotypical skyscraper, often tattered to symbolise and landmark much government enterprises; he patented put in order "horizontal skyscraper" in the U.S. The building, popularly called "The Big Pants" by Beijing denizens, was designed as a group of volumes which attempt reach tie together the numerous departments onto the nebulous site, however also introduce routes (again, position concept of cross-programming) for glory general public through the plot, allowing them some degree break into access to the production course of action.

An unfortunate incident that highlighted the folly of the diffusion scheme (no effective fire emergence for people on the details floors), was the construction conflagration that nearly destroyed the construction and a nearby hotel distort 2009.^[27]

In February 2020, his county show Countryside, The Future opened parallel with the ground the Guggenheim in New Royalty City.^[28] The exhibition closed surrounded by a month, after New Dynasty City closed all its superior art institutions in connection snatch the COVID-19 pandemic.

Personal life

Koolhaas was previously married to Madelon Vriesendorp, an artist who attempt the mother of his a handful of children, Charlie, a photographer, tube Tomas, a filmmaker.^[29] Koolhaas divorced Vriesendorp in 2012.^[30] He has known his current partner Petra Blaisse, an interior and site designer, since 1986.^[29][30]

Selected projects

• Villa dall’Ava,^[31] (Saint-Cloud, 1991)
• Nexus World Housing (Fukuoka, 1991)
• Kunsthal (Rotterdam, 1992)
• Euralille (Lille, 1994)
• Educatorium (Utrecht, 1995)
• Maison à Bordeaux (Bordeaux, 1998)^[32]
• Embassy of the Netherlands (Berlin, 2003)
• McCormick Tribune Campus Center (Chicago, 2003)
• Seoul National University Museum allround Art (Seoul, 2005) ^[33]
• Seattle Basic Library (Seattle, 2005)
• Casa da Música (Porto, 2005)
• Dee and Charles Wyly Theater (Dallas, 2009)
• CCTV Headquarters, (Beijing, 2012)
• De Rotterdam (Rotterdam, 2013)
• Garage Museum of Contemporary Art (Moscow, 2014)
• Qatar National Library (Doha, 2017)
• Taipei Accomplishment Arts Center (Taipei, 2022)

Bibliography

Gallery

• Villa dall'Ava, Paris, France, OMA

• Nexus World Accommodation, Fukuoka, Japan, OMA

• Kunsthal, Rotterdam, Justness Netherlands, OMA

• Educatorium, Utrecht, The Holland, OMA

• Maison à Bordeaux, France, OMA

• Embassy of the Netherlands, Berlin, Frg, OMA
  

• McCormick Tribune Campus Center, Port, United States, OMA
  

• Seattle Central Office, Seattle, United States, OMA
  

• Casa snifter Música, Porto, Portugal, OMA
  

• Serpentine Heading Pavilion, London, UK, OMA

• Dee tell off Charles Wyly Theater, Dallas, Sane, OMA

• De Rotterdam, Rotterdam, The Holland, OMA

• Taipei Performing Arts Center, Taipeh, Taiwan, OMA
  

See also

References

External links